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Comprehensive List of Human Cloning Films (1971–2025)

Below is the expanded list of 46 films, with their box office performance, Rotten Tomatoes scores, and categorization.

Successful: 10 films (22%)

The Fifth Element, Star Wars: Episode II, The Prestige, Moon, Logan, Horse Girl, Oxygen, Dual, They Cloned Tyrone, Parts: The Clonus Horror.

Mixed: 17 films (38%)

The Boys from Brazil, Blade Runner, Gattaca, Pokémon: The First Movie, The 6th Day, Never Let Me Go, Cloud Atlas, Oblivion, Closer to God, Seobok, Infinity Pool, Jung_E, Hitman: Agent 47, Resident Evil: Afterlife, Resident Evil: Extinction, Resident Evil: Retribution, No Ordinary Baby.

Bombed: 18 films (40%)

The Resurrection of Zachary Wheeler, Creator, Multiplicity, Pluto Nash, Godsend, The Island, Aeon Flux, The Reconstruction of William Zero, Replicas, Gemini Man, Replicant, Repli-Kate, I’m Not Jesus Mommy, It’s All About Love, Jaane Hoga Kya, Womb, Mr. Murder, The Other Me.

The Resurrection of Zachary Wheeler (1971): Low-budget ($500K est.), no clear box office data, 40% RT (est.). Bombed due to poor reception and lack of impact.

The Boys from Brazil (1978): $12M budget, $19M gross, 69% RT. Mixed due to modest box office and divisive reviews.

Parts: The Clonus Horror (1979): $250K budget, $3M gross, 40% RT. Successful (low-budget profitability, cult status despite low RT).

Blade Runner (1982): $28M budget, $41M gross, 90% RT. Mixed (initial box office underperformance, later critical acclaim).

Creator (1985): $10M budget (est.), $8M gross, 50% RT (est.). Bombed due to poor box office and reception.

The Fifth Element (1997): $90M budget, $263M gross, 71% RT. Successful (strong box office and critical praise).

Gattaca (1997): $36M budget, $36M gross, 82% RT. Mixed (break-even box office, strong critical reception).

Pokémon: The First Movie (1999): $30M budget, $163M gross, 16% RT. Mixed (huge box office, poor critical reception).

The 6th Day (2000): $80M budget, $96M gross, 40% RT. Mixed (modest box office, poor reviews).

Multiplicity (1996): $45M budget, $21M gross, 44% RT. Bombed (box office loss, poor reviews).

Star Wars: Episode II – Attack of the Clones (2002): $115M budget, $649M gross, 65% RT. Successful (blockbuster box office, decent reviews).

Pluto Nash (2002): $100M budget, $7M gross, 4% RT. Bombed (massive loss, panned critically).

Godsend (2004): $25M budget, $14M gross, 4% RT. Bombed (box office loss, critical failure).

The Island (2005): $126M budget, $162M gross, 40% RT. Bombed (box office underperformance, poor reviews).

Aeon Flux (2005): $62M budget, $52M gross, 9% RT. Bombed (box office loss, critical failure).

The Prestige (2006): $40M budget, $109M gross, 87% RT. Successful (profitable, critically acclaimed).

Moon (2009): $5M budget, $9.7M gross, 90% RT. Successful (profitable, critically acclaimed).

Never Let Me Go (2010): $15M budget, $9.4M gross, 71% RT. Mixed (box office loss, strong critical reception).

Cloud Atlas (2012): $100M budget, $130M gross, 66% RT. Mixed (modest box office, divisive reviews).

Oblivion (2013): $120M budget, $286M gross, 53% RT. Mixed (profitable but divisive critical reception).

The Reconstruction of William Zero (2014): $1M budget (est.), <$1M gross, 50% RT (est.). Bombed (minimal impact, poor reception).

Closer to God (2014): $500K budget (est.), <$1M gross, 60% RT. Mixed (low-budget, moderate critical reception).

Logan (2017): $97M budget, $619M gross, 93% RT. Successful (blockbuster, critically acclaimed).

Replicas (2018): $30M budget, $9M gross, 11% RT. Bombed (box office loss, panned critically).

Gemini Man (2019): $138M budget, $173M gross, 26% RT. Bombed (box office underperformance, poor reviews).

Horse Girl (2020): Streaming (Netflix), no budget/gross, 71% RT. Successful (critical praise, cultural impact).

Seobok (2021): $10M budget (est.), $6M gross, 80% RT. Mixed (box office loss, strong critical reception).

Oxygen (2021): Streaming (Netflix), no budget/gross, 88% RT. Successful (critical praise, streaming impact).

Dual (2022): $4M budget, $5M gross, 90% RT. Successful (modest profit, critically acclaimed).

They Cloned Tyrone (2023): Streaming (Netflix), no budget/gross, 95% RT. Successful (critical acclaim, cultural impact).

Infinity Pool (2023): $10M budget (est.), $5M gross, 87% RT. Mixed (box office loss, strong critical reception).

Jung_E (2023): Streaming (Netflix), no budget/gross, 67% RT. Mixed (moderate critical reception).

Mickey 17 (2025): $150M budget (est.), no full box office data yet, 85% RT (early reviews). Excluded from percentages due to incomplete data.

Hitman: Agent 47 (2015): $35M budget, $82M gross, 8% RT. Mixed (profitable but critically panned).

Resident Evil: Afterlife (2010): $60M budget, $300M gross, 22% RT. Mixed (profitable but poor reviews).

Resident Evil: Extinction (2007): $45M budget, $147M gross, 24% RT. Mixed (profitable but poor reviews).

Resident Evil: Retribution (2012): $65M budget, $240M gross, 28% RT. Mixed (profitable but poor reviews).

Replicant (2001): $17M budget, $1M gross (est.), 27% RT. Bombed (box office failure, poor reviews).

Repli-Kate (2002): $4M budget, <$1M gross, 20% RT (est.). Bombed (box office failure, poor reviews).

No Ordinary Baby (2001): TV movie, no budget/gross, 60% RT (est.). Mixed (moderate reception).

I’m Not Jesus Mommy (2010): $500K budget (est.), <$1M gross, 20% RT (est.). Bombed (minimal impact, poor reception).

It’s All About Love (2003): $10M budget (est.), $2M gross, 30% RT (est.). Bombed (box office loss, poor reviews).

Jaane Hoga Kya (2006): $2M budget (est.), $1M gross, 30% RT (est.). Bombed (box office loss, poor reception).

Mr. Murder (1998): TV miniseries, no budget/gross, 50% RT (est.). Mixed (moderate reception).

The Other Me (2000): TV movie, no budget/gross, 60% RT (est.). Mixed (moderate reception).

Womb (2010): $3M budget (est.), $1M gross, 35% RT. Bombed (box office loss, poor reviews).

You should hate this lesbian theme song. Frankly I hate it but I was just so astounded by it I had to post it. It's just so wrong. (youtube.com)

submitted by Crackinjokes to videos 4 weeks ago (+1/-1)

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https://youtube.com/shorts/YFL8MABdEDI

No I'm not secretly trying to promote it and yes I gave a lot of thought about whether I even wanted to post it but I don't know it just shows the complete denigration of our society. And that I guess is why I'm posting it.

And why is it always some pretty girl and some ugly chick pretending to be a man. If she's so attracted to some ugly chick pretending to be a man isn't she actually secretly attracted to men? I think so much of lesbianism is being able to have sex without the responsibility of possibly getting pregnant and also because it's not a real relationship they can enter in and out of it much more easily whereas the same level of a commitment with a man would mean much more chance of a lifelong commitment and therefore is much harder to enter into. Lesbians are notorious for jumping from one relationship to another for that reason I think.

Also so often these lesbian relationships are some pure white girl and some South American lesbo. Some kind of Latino lesbo. And I think so much of it is a rebellious play by the pretty white girl who is just it's like a lot of reasons why white girls will date black men. They want to feel like they're doing some social justice thing and they're proving that they're acceptance of this minority or

I mean in this case the Latino lesbo looks like they basically don't even understand. Clearly the pretty white girl is the intellectual leader in this group and it seems to me like this is probably some woke rich white girl trying to prove trying to disown her own heritage because she's been told it's wrong so she's hooking up with any minority she can to disown her own heritage.

Most Disturbing Videos On the Internet Today! (Part 399) (start at 13:10) (www.youtube.com)

submitted by albatrosv15 to videos 3 weeks ago (+0/-0)

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https://www.youtube.com/watch?v=A5iYBi7Yus8

14:20 - "and the H bomb doesn't work either?"

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Alpha Male movies help teens to augment testosterone (movies)

submitted by Conspirologist to movies 3 weeks ago (+1/-3)

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Testosterone-Driven Alpha Male Movies Shape Teen Psychology

Alpha male archetypes in film, characterized by dominance, courage, and resilience, have long captivated audiences, particularly impressionable teens.

Movies like Braveheart (1995), Gladiator (2000), and 300 (2006) exemplify this archetype, leveraging neuro-linguistic programming (NLP) principles to evoke endorphin rushes through vivid role models.

These films, presented in chronological order, tap into psychological mechanisms that inspire teens to emulate alpha traits, but Hollywood has since shifted toward beta or effeminate characters.

Braveheart (1995)

Braveheart follows William Wallace, a Scottish warrior leading a rebellion against English oppression. His unyielding defiance and physical prowess embody alpha masculinity. Psychologically, Wallace’s rousing speeches and sacrificial leadership trigger endorphin release by activating the brain’s reward system, particularly the dopamine pathways tied to goal-directed behavior (Schultz, 2015). For teens, Wallace’s archetype programs assertiveness and moral conviction via NLP-like repetition of empowering dialogue (“Freedom!”), embedding these traits as aspirational.

Gladiator (2000)

In Gladiator, Maximus Decimus, a betrayed Roman general, rises as a gladiator to avenge his family. His stoic resolve and physical dominance resonate with teens seeking identity models. The film’s visceral combat scenes stimulate the amygdala, heightening emotional arousal and endorphin release (LeDoux, 2000). Maximus’s journey reinforces NLP principles through repeated imagery of strength and honor, programming teens to associate alpha traits with emotional reward and self-worth.

300 (2006)

300 depicts King Leonidas and his Spartan warriors facing overwhelming odds at Thermopylae. The hyper-stylized visuals and Leonidas’s fearless leadership amplify alpha male ideals. The film’s intense battle sequences and chants (“This is Sparta!”) engage the brain’s mirror neurons, fostering emotional contagion and endorphin surges (Rizzolatti & Craighero, 2004). For teens, this creates an NLP-like feedback loop, linking courage and sacrifice to feelings of power and belonging.

Hollywood’s Shift

Since the mid-2000s, Hollywood has pivoted from testosterone-fueled alpha male narratives to beta or effeminate characters, reflecting cultural shifts toward inclusivity and emotional vulnerability. Films now often prioritize nuanced, less aggressive protagonists, reducing the emphasis on traditional alpha archetypes that once dominated.

References

LeDoux, J. E. (2000). Emotion circuits in the brain. Annual Review of Neuroscience, 23, 155–184.

Rizzolatti, G., & Craighero, L. (2004). The mirror-neuron system. Annual Review of Neuroscience, 27, 169–192.

Schultz, W. (2015). Neuronal reward and decision signals. Nature Reviews Neuroscience, 16(2), 114–126.

1994 B-52 Bomber Crash Fairchild Air Force Base (youtu.be)

submitted by Sal_180 to videos 3 weeks ago (+0/-0)

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There could be frens there original content (files.catbox.moe)

submitted by Trope to pics 3 weeks ago (+0/-0)

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https://files.catbox.moe/6r39g3.jpeg

My buddy made this.

Spike Lee's 25th Hour - Ed Norton rant (m.youtube.com)

submitted by Smedleys_Butler to BasedMovies 3 weeks ago (+0/-0)

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This is a surprisingly effective line of thought to prove the existence of God or at least a creator of some sort. (youtube.com)

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