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https://www.youtube.com/live/NoarNmUMbh4?si=dx8RCa6kZO1IU06M&t=10

I put this on in the background. Usually I tune it out and it serves as background noise but this one drew me in. This cunt is sooo insufferable. You get to watch her belief system collapse in real time and her subsequent breakdown and rage quit.

Also the white dudes i saw are doomed. This shit is getting real.

fuck you, kike.

I had to run to the grocery store today to get the fixings for burgers later. I took one of my kids with me. We’ve lived here for a few years and when we first moved here I was blown away by how White, safe, and clean the stores are in my town. Lately, however, I’ve noticed an influx of refugee looking nigs at the store. I’m talking straight outta Africa nogs with very dark skin. Very poor looking, no typical American nog gold jewelry or sneakers. I’m sure that some Jew couldn’t stand how White this area is and started some sort of refugee program here to dirty it up.

Anyway, when checking out, we were behind this African sheboon and her two niglets. Of course they paid with an ebt card. My kid could not stop staring at them. I’m sure she felt like she was looking at a zoo exhibit. The male niglet had a side profile that looked exactly like a gorilla. Huge lips.

This kind of stuff ruins my day. I’m so sick of trying to escape the diversity only to have it come find you. I don’t want my kids having to be around these people.

How did we ever get to this point?

Hollywood’s Violence Trinity Peak: Crime, Chaos, Nihilism

The 1990s marked Hollywood’s violent zenith, blending raw aggression with narrative genius. Three films—Quentin Tarantino’s Pulp Fiction (1994), Oliver Stone’s Natural Born Killers (1994), and David Fincher’s Fight Club (1999)—forged archetypes of criminal, nihilistic, and anarchic violence.

These masterpieces didn’t just breach a threshold; they became eternal benchmarks, dissecting an era’s obsession with bloodshed.

Pulp Fiction defines criminal violence—calculated, transactional, rooted in underworld codes. Tarantino’s nonlinear saga of hitmen (John Travolta, Samuel L. Jackson), mobsters, and a rogue boxer (Bruce Willis) weaves violence into the everyday. Executions and betrayals, driven by greed or loyalty, unfold with cold precision, often undercut by banter over burgers or biblical recitations. Tarantino’s razor-sharp edits and pop-culture wit make bloodshed magnetic yet routine. Its influence pulses in crime tales from Lock, Stock and Two Smoking Barrels to John Wick, where violence is just business, its moral ambiguity timeless.

Natural Born Killers embodies nihilistic violence—purposeless, excessive, reveling in meaninglessness. Stone’s frenetic satire tracks lovers Mickey and Mallory (Woody Harrelson, Juliette Lewis) on a killing spree, their carnage a kaleidoscope of neon filters, rapid cuts, and surreal vignettes. Devoid of motive beyond infamy, the violence critiques media bloodlust while embracing its allure. Stone’s provocative aesthetic—both condemning and exhilarating—sparks unease. Its legacy thrives in hyper-stylized works like Kill Bill or The House That Jack Built, where gore probes society’s moral void.

Fight Club captures anarchic violence—chaotic, anti-establishment, ideologically driven. Fincher’s adaptation of Chuck Palahniuk’s novel follows the Narrator (Edward Norton) and Tyler Durden (Brad Pitt) as bare-knuckle rebellion escalates into terrorism against consumerist norms. Fistfights and bombings, visceral in Fincher’s grimy lens, start as anarchic defiance but spiral into nihilistic despair, exposing rebellion’s futility. Fight Club’s anarchic template shapes films like V for Vendetta or Joker, where anti-system rage blurs into madness, its cultural echoes haunting modern unrest.

The 1990s, steeped in post-Cold War anxiety and media saturation, fueled Hollywood’s violent renaissance. Pulp Fiction, Natural Born Killers, and Fight Club didn’t merely reflect this moment—they interrogated it, fusing style, philosophy, and provocation. Their archetypes—crime’s logic, nihilism’s void, anarchism’s chaos—endure, probing violence’s roots. These films remain cinematic north stars, their questions undimmed.

https://discernreport.com/black-fatigue-goes-viral-everyone-including-blacks-is-tired-of-ghetto-behavior/

Someone should make a niggerfatigue sub.