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I’ve made better on my own without a recipe. I should be an internet recipe faggot. My cooking is usually better than the internet cooking.
There were ingredients and potions I was in question of. Definitely the nutmeg fucked it all up. I hate nutmeg. Should have had more milk. I knew Gruyère wasn’t right. Fuck. Shit cost like $30 to make. If the missus won’t eat it it’s going out in the morning garbage.
I hate when I know better and still, I listen to fools.

https://files.catbox.moe/23oy1a.png
final version: https://files.catbox.moe/54pzh4.png

https://www.unz.com/mwhitney/chinas-deepseek-bombshell-rocks-trumps-500b-ai-boondoggle/

Low price Open source AI. Upsetting all the apple carts!

@Bit_Fat_Dangus

I picked up some Italian made rice/chickpea elbow noodles to make a four cheese Mac-n-cheese. American wheat products are garbage and I always feel like shit after eating them, so I wanted to try something new. I don’t want to add wheat back into the mix with my rue.
Any thoughts.
Im not a simpering celiac faggot, just trying something different.

https://www.youtube.com/watch?v=l6cilVD1S_o

A prime example of what can be done with Ford running gear and an Italian chassis.. this 1972 Pantera runs 600HP making it quicker than many supercars. Today I drive this beast and find out if it can handle all the power.

https://pomf.lain.la/f/0gb1p2k7.jpg
One of Ensor's most famous and challenging paintings is Christ's entry into Brussels in 1889. The painting was intended to be a mock prophecy, a schedule for the Second Coming. The thick crowd of the faithful carries Jesus through the streets like a trophy (he's in the center with a five-ring halo).
In medieval religious precessions, people shouldered images of Jesus or saints through densely crowded streets, but in a spirit of reverence. Here the entire mob is dressed for a masquerade. But the masks appear to be their real faces. Perhaps it's their faith that's a masquerade. The red banner over the crowd states "Vive la Siciale" which translates to "Long live the welfare state". On the right, someone holds up a red sign that translates, "Long live Jesus, king of Brussels." The mob is poised to march right out of the painting into the viewer's world.

In 'The Entry of Christ into Brussels' Ensor wanted to criticize the church, the army and the state, the entire bourgeoisie; it is a satire, a grotesque, a parody.
Supposing that 'The Entry of Christ into Brussels' were a plastic testimony to an authentic and critical attitude to life, the artist later exchanged this for arivism and success.
The 'Ensorian psyche': a dubious psyche, in my opinion.